作者简介:欧阳中石,著名文化学者、书法家、书法教育家。早年拜在京剧大师奚啸伯的门下。现任首都师范大学教授、博士生导师、中国书法文化研究所所长,北京唐风美术馆名誉馆长。
About the author: Ouyang Zhongshi, a famous cultural scholar, calligrapher and calligraphy educator. In his early years, he worshipped under the door of Peking Opera master Xi Xiaobo. He is currently a professor and doctoral supervisor of Capital Normal University, director of the Institute of Chinese Calligraphy and Culture, and honorary curator of Beijing Tangfeng Art Museum.
作为一位海内外知名书法家,欧阳中石有着一个严谨治学的大学者、大书家风范。他对学古人和自己创新都持有谨慎的态度。他教育他的学生要积极学习古人,要深入到传统的精华中去,学习书法要有积极探索的精神,要学会深入研究,要有刻苦钻研的精神,只有扎实地学习、研究古人,才能逐步提高自己。他告诫他们要“知其然,知其所以然,求其然而然”,要能够进入历史的深处探掘其内在的精神,还应能观史而察今。他认为,之所以要学习传统中的精华——“正统”,是因为“正统”是传统中最有生命力的部分。他还指出,书法并不是“独立”的艺术,它是中国传统文化的一个有机组成部分,而且是一门学问,故而学习书法就不能脱离中国文化而去独立地学习,要把书法放到博大精深的中国文化中去学习、去研究。
欧阳中石的书法作品之所以被海内外各博物馆、收藏家、书法爱好者竞相收藏,还有他不仅仅是一位著名书法家的因素——他在逻辑学、语文教学研究、戏剧研究等方面也有较高的成就。他务实钻研,严谨治学,是当今的时代和他那为中国书法文化教育事业鞠躬尽瘁的精神,成就他成为了当代书法教育事业的专家,同时也成就了他炉火纯青的书法艺术,以及取法高古、上追秦汉魏晋、熔铸历代名家精华、师古不囿于古而自成一家的独特书风。
As a well-known calligrapher at home and abroad, Ouyang Zhongshi has the style of a rigorous university scholar and great calligrapher. He is cautious about learning from the ancients and his own innovation. He taught his students to actively learn from the ancients, to go deep into the essence of tradition, to have an active exploration spirit in learning calligraphy, to learn to in-depth research, to have the spirit of assiduous research, and to study and study the ancients in a solid manner can they gradually Improve yourself. He warned them to "know what it is, why it is, and ask it to be true", to be able to enter the depths of history to explore its inner spirit, and to be able to observe history and observe the present. He believes that the reason for learning the essence of tradition-"orthodox" is because "orthodox" is the most vital part of tradition. He also pointed out that calligraphy is not an "independent" art, it is an organic part of Chinese traditional culture, and it is a subject of learning. Therefore, when learning calligraphy, one cannot learn calligraphy independently from Chinese culture. Calligraphy must be broad and profound. To study and research in the Chinese culture.
The reason why Ouyang Zhongshi’s calligraphy works are collected by museums, collectors, and calligraphy lovers at home and abroad, is that he is not just a famous calligrapher—he is involved in logic, Chinese teaching and research, drama research, etc. There are also higher achievements. His pragmatic research and rigorous academic research are the current era and his dedication to Chinese calligraphy culture and education. He has made him an expert in contemporary calligraphy education. At the same time, he has also achieved his perfect calligraphy art, as well as his ancient and ancient methods. Chasing the Qin, Han, Wei and Jin Dynasties, casting the essence of the famous masters of the past dynasties, learning from the past, is a unique style of writing.
欧阳老对于书法,举凡周金汉石、晋帖北碑、唐贤宋哲乃至明清诸家,他都有涉猎,博采众长,而又归宗二王,形成了飘逸清新的独特风格,此幅书法作品,所录内容为毛泽东词《沁园春》。整幅书法作品尺幅巨大,气势磅礴。字体灵动飞舞,变化万端。下笔沉稳,起笔婉转。起开转合之间,游刃有余。
For calligraphy, Lao Ouyang, including Zhou Jinhan stone, Jin Tie Beibei, Tang Xian, Song Zhe, and even the Ming and Qing dynasties, he has studied, learned from others, and returned to the two kings, forming a unique and elegant style. This calligraphy work, The recorded content is Mao Zedong's "Qinyuanchun". The entire calligraphy work is huge in size and majestic. The fonts are agile and flutter, and change in every aspect. Write calmly and tactfully. Between the opening and closing, it is easy to do.